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Tokina 11-16mm lens
Tokina 11-16mm lens create a riot in the market for the reason that the lens is inexpensive and come with many astonishing features. If you are frequently keep a keen eye by monitoring the lens market, then it is easy for you to fall in love with this Tokina 11-16mm lens.
For professional photographers through their extensive research may well help them to establish firm believe that Tokina 11-16mm lens can be the best among the camera lens available on the market that provide good performance quality with low price. And the main highlighted feature of this lens is its fastest ultra wide angle lens.
Tokina 11-16mm lens might not really look good to buy for most users when they first observe the lens as most of the users are having certain believe that third party lens is not able to beat the original manufacturer lens. However, most of them soon will find they can be quite wrong with such judgment as Tokina 11-16mm able to prove itself to be the best lens that can produce high quality shooting.
Some of the cool specifications are includes of minimum focusing distance of 11.8in. (0.3m); filter thread of 77mm, and weights around 560g; the 104 – 82 degrees Angle of View; the lens is able to mount for Sony, Nikon, and Canon camera.
Most users are going to love the AutoFocus feature which enables the Tokina 11-16mm lens to auto adjust and focus on the targeted subject. In addition, the f/2.8 aperture is undoubtedly a wonderful feature for you to have in a ultra wide angle lens.
For people who love to shoot with their camera indoor with dim light interior images, this Tokina 11-16mm lens has turn the task to become rather easy for you to capture photos indoors and maintain the quality of the photos. Also you need to know that this Tokina lens is working flawlessly with either outdoors and indoors
Tokina 11-16mm lens is going to work for you completely in spite of its zoom range limitation factor of 1.45x. And you should know that each lens on the market has their disadvantages but this specific lens is close to perfect with the top notch performance.
As a result, It is highly recommended for you to buy this lens if you want to shoot for high quality pictures. However, there is something that you need to aware of which is you shouldn’t use this Tokina 11-16mm lens with a full frame DSLR camera as it is created for you to use with cropped sensor DSLR.
Tokina 11-16mm Lens Video
Tokina 12-24mm F/4 AT-X Pro DX
Big, weight and tough, the Tokina 12-24mm has almost battleship-like build quality and is available in Canon and Nikon fit options. Either way, the maximum effective wide-angle focal length is unimpressive at 19.2mm and 18mm respectively, compared with own-brand lenses, which work out at 16mm for the Canon and 15mm on the Nikon.
The Tokina is currently available in Mark I and Mark II guises, the latter model being about $200 more expensive to buy, with a street price of $700. ON the face of it, since both lenses look pretty much identical and operate in exactly the same way, this makes the Mark I look something of a bargain. The only critical difference is that the Mark I version of the Nikon-fit lens does not have a built-in Autofocus motor, so it will not Autofocus on the D40, D40x or D60. The Mark II also feature a new optical coating, which Tokina claims is more effective at reducing ghosting and flare.
Like the Sigma and Pentax lenses, and in keeping with its Pro label, the Tokina has a constant maximum aperture, which remians fixed at f/4 throughout the zoom range. As you will see from the results of our lab tests overleaf, the Tokina lens acquits itself pretty well in terms of optical quality. One caveat that is worth noting, however, is that we frequently suffered blue color fringing when shooting at large apertures in the wider focal length range, not only towards the corners of the frame but across the whole image.
Image Test Verdict On Tokina 12-24mm F/4 AT-X Pro DX
– Although sharpness drop-off between the center and edge of the frame was low, the influence of chromatic aberration is felt at 12mm.
– There is no full-time manual override, but at least the push-pull focus ring makes it easy to snap between autofocus and manual focus.
– Center sharpness is good at 12mm, but it falls off towards the edge. At other focal lengths it performs well, with sharpness dropping slightly.
– Heavy blue aberration is apparent towards the outer edges at a focal length of 12mm, but this decreases at increased focal lengths.
– At 12mm, the barrel distortion is quite apparent, but as you move through the focal range the distortion reduces in tandem.